"In general, we presume that artists make art, but what happens when machines produce art? Beginning with Jean Tinguely’s drawing machines, this publication presents art machines from various contexts. Includes works by Olafur Eliasson, Damian Hirst, Rebecca Horn, Jon Kessler, Tim Lewis, Steven Pippin, Richard Jackson, and Roxy Paine."
"April 12, 2011 marks the acclaimed fiftieth anniversary of Yuri Gagarin's voyage into space. This volume looks at a huge selection of art and literature inspired by conceptions of outer space, from Sylvie Fleury to Thomas Ruff, Buckminster Fuller to Philip K. Dick. The book is housed in a silkscreened jacket with fluorescent color printing."
Destruktionskunst Der Mythos der Zerstörung in der Kunst der frühen sechziger Jahre (German Edition) द्वारा JustinHoffmann Turtleback, 206 पन्ने, प्रकाशित 1995 द्वारा S. Schreiber ISBN-13: 978-3-88960-033-2, ISBN: 3-88960-033-6
"Subkultur der 1980er-Jahre in DeutschlandBroschiertes BuchGeniale Dilletanten war der absichtlich falsch geschriebene Titel eines Musikfestivals, das 1981 im Berliner Tempodrom stattfand und zum Synonym einer kurzen Epoche künstlerischen Aufbruchs wurde. Vor allem im Umfeld von Kunsthochschulen erblühte eine Avantgarde, die sich durch künstlerische Vehemenz, genreübergreifendes Experimentieren und den Wunsch nach Selbstorganisation ausz ..."
"The solo exhibition in the Kunsthaus Baselland in 2011 offers the opportunity to bring together the academic analysis and archiving of the various work complexes and work areas of Nives Widauer in a comprehensive publication."
"Notorious "guitar trasher" Pete Townshend (of the legendary rock band The Who) refers to Gustav Metzger as his teacher--due mainly to the artist/activist's continued reaction to the threat posed by the global nuclear arms race, which he has also opposed politically since 1956. Born the son of Orthodox Jews, Metzger survived the Holocaust through salvation by the Refugee-Children-Movement in England, and, since the 1990s, has worked on a ..."
"Höchst eigenständig verarbeitete Uwe Lausen ab 1964 Pop-Art und Hyperrealismus undreflektierte dabei schonungslos und seismografisch die damalige ..."
"A presentation of the photographic art of Eve K. Tremblay accompanied by commentary in English, French and German by James D. Campbell, Eduardo Ralickas and Justin Hoffman respectively. Hardbound with pictorial cover."
"The catalog documents works by a range of artists responding to techno in mediums spanning photography, film, video and installation, while also tracing the history of techno and club culture, and the relationship between techno and art."
"First theorized by composer Richard Wagner, the total artwork, or "gesamtkunstwerk," proposed a synthesis of all arts towards a single, unified spectacle. Wagner's ambitious conception flowered in the early twentieth century throughout numerous avant gardes, particularly in German Expressionism, where art forms cross-pollinated and collaborated to a remarkable degree. Past considerations of Expressionism have tended to focus only on ind ..."
"In 1963, Nam June Paik created a new genre of exhibition with his first solo show, "The Exposition of Electronic Music-Electronic Television" at Galerie Parnass in Wuppertal, West Germany. Fresh from his studies with John Cage and Karlheinz Stockhausen, and already a Fluxus veteran, Paik created a disorienting environment that foreshadowed much of what was to come in the 1960s: visitors, greeted at the entrance by a freshly slaughtered ..."