"This seventh volume in the ongoing documentation of Ed Ruscha's (born 1937) entire corpus of paintings covers the years 2004 to 2011, comprising 230 paintings and studies that are reproduced in color and accompanied by detailed exhibition and bibliographic histories. The work of this period extends various earlier series, including Ruscha's "mountain" paintings, a number of which now incorporate texts from Jack Kerouac's novel "On the R ..."
""Parachute" was founded in 1975 by Chantal Pontbriand and France Morin. Following the previous three "Parachute" volumes, this last title of the "Parachute" anthology focuses on painting, sculpture, installation and architecture. These topics are approached from several perspectives: from new theories of aesthetic production, especially painting, to the expansion of the art world to other artistic territories during the 1980s and 1990s ..."
"This monograph on New York-based painter Suzanne McClelland's (born 1959) paintings and exhibitions from 2013 to 2015 compiles four series--Internal Sensations, Ideal Proportions, Action Figures and Domestic Terrorists--alongside her research materials and related ephemera."
"The catalog for the Museum of Modern Art's acclaimed Broodthaer's exhibition Marcel Broodthaers’ extraordinary artistic output placed him at the center of international activity during the transformative decades of the 1960s and 1970s. Throughout his career, from early objects variously made of mussel shells, eggshells and books of his own poetry, to his most ambitious project, the Musée d’Art Moderne, Département des Aigles (Museum of ..."
"Theodor AdornoGCOs Aesthetic Theory (1970) offers one of the most powerful and comprehensive critiques of art and of the discipline of aesthetics ever written. The work offers a deeply critical engagement with the history and philosophy of aesthetics and with the traditions of European art through the middle of the 20th century. It is coupled with ambitious claims about what aesthetic theory ought to be. But the cultural horizon of Ador ..."
"Eric Cameron is a major contemporary Canadian artist. Born in 1935 in Leicester, England, he arrived in Canada in the 1970s and has taught at the University of Guelph, the Nova Scotia College of Art and Design, and at the University of Calgary. Over the years Cameron has also continued to work in his primary medium, painting, but moved from traditional figuration to a highly conceptual practice with both his process paintings and his "t ..."
"Reveals the invention of the readymade as a critical point in contemporary art. Beginning with the instance in 1912 when Marcel Duchamp wrote in a note to himself, "No more painting, get a job," Thierry de Duve reviews in "Pictorial Nominalism" the implications of the readymade for art and representation. Arguing that the readymade belongs to that moment in the history of painting when both figuration and the practice of painting become ..."
"Charles Esche and Maria Hlavajova The Making of 'Once is Nothing' How to Say
No while Still Saying Yes? Charles Esche and Maria Hlavajova were invited, as
representatives of Van Abbemuseum in Eindhoven and BAK in Utrecht
respectively, to contribute to the Brussels Biennial. With 'Once is Nothing'1 they
tried, from their position of institutional responsibility, to find an answer to the
fleeting character of many biennials and their ..."
Pictorial Nominalism On Marcel Duchamp's Passage from Painting to the Readymade (Theory and History of Literature) द्वारा ThierryDeDuve, John Rajchman, Dana Polan Paperback, 234 पन्ने, प्रकाशित 1991 द्वारा Univ Of Minnesota Pr ISBN-13: 978-0-8166-1565-0, ISBN: 0-8166-1565-9